By the bestselling author of Storyland.
Sheer cliffs, salt spray, explosive sea spume, thunderous clouds, icy waves, whales with mountains on their backs, sleet, bitter winds, bleak, impenetrable marshes, howling wolves, forests, the unceasing cries of birds and the death grip of subterranean vaults that have never seen the sun: these are wild landscapes of a world almost familiar.
In Wild, Amy Jeffs journeys – on foot and through medieval texts – from landscapes of desolation to hope, offering the reader an insight into a world at once distant and profoundly close to home. The seven chapters, entitled Earth, Ocean, Forest, Beast, Fen, Catastrophe, Paradise, open with fiction and close with reflection. They blend reflections of travels through fen, forest and cave, with retelling of medieval texts that offer rich depictions of the natural world. From the Old English elegies to the englynion and immrama of the Celtic world – stories that largely represent figures whose voices are not generally heard in the corpus of medieval literature: women, outcasts, animals.
Illustrated with original wood engravings, evoking an atmospheric world of whales, wolves, caves, cuckoos and reeds, Wild: Tales From Early Medieval Britain will leave readers feeling ‘westendream’: delight in the wilderness.
Sheer cliffs, salt spray, explosive sea spume, thunderous clouds, icy waves, whales with mountains on their backs, sleet, bitter winds, bleak, impenetrable marshes, howling wolves, forests, the unceasing cries of birds and the death grip of subterranean vaults that have never seen the sun: these are wild landscapes of a world almost familiar.
In Wild, Amy Jeffs journeys – on foot and through medieval texts – from landscapes of desolation to hope, offering the reader an insight into a world at once distant and profoundly close to home. The seven chapters, entitled Earth, Ocean, Forest, Beast, Fen, Catastrophe, Paradise, open with fiction and close with reflection. They blend reflections of travels through fen, forest and cave, with retelling of medieval texts that offer rich depictions of the natural world. From the Old English elegies to the englynion and immrama of the Celtic world – stories that largely represent figures whose voices are not generally heard in the corpus of medieval literature: women, outcasts, animals.
Illustrated with original wood engravings, evoking an atmospheric world of whales, wolves, caves, cuckoos and reeds, Wild: Tales From Early Medieval Britain will leave readers feeling ‘westendream’: delight in the wilderness.
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Reviews
This beautiful book . . . takes the reader back into the medieval mind, exploring ancient myths and poems rooted deep in the British landscape.
A beautiful retelling of British myths and exquisitely illustrated too.
This gorgeous book should live on the bookshelves in every house that cares about "the idea of Britain, what is was and where it came from."
Marries words and images to create a special echo of this country's rich past.
Jeffs is the narrator, providing a reading that is suffused with portent and otherworldliness. Listeners gain a series of folk songs, written and performed by Jeffs, each of which adds a thrilling new dimension to these ancient fables.
Across seven themed chapters the Storyland author presents an inspiring excavation of the British countryside through diverse medieval texts.
Jeffs teases out nuance, divining moral and metaphorical meaning from each story, and questions ways that this living history of Britain impacts upon our present-day understanding of landscape. The writing throughout is celebratory and evocative.
Jeffs has a gift for breathing new life into ancient stories through her lyrical writing, deep research and evocative woodcuts. She connects our mythic history to the landscape with delicacy and humour. Reading Wild feels like being led by the hand through a gnarled, old growth forest, along empty shoreflats, and along the edge of windswept cliffs - and shown how to experience them through medieval eyes. It's a jewel of a book.
Immersive . . . Her stories are arranged across seven chapters - Earth, Ocean, Forest, Beast, Fen, Catastrophe and Paradise. Jeffs, a medieval scholar with her own wild streak, introduces each in confident, forceful tones. She also sings six of her songs, accompanied by early musical instruments. Lucy Paterson, who has one of those warm, low,
rich voices that can hold you mesmerised, tells the tales.
An extraordinarily multidimensional work, moving seamlessly from creative retellings of the stories to explanations of the texts and where they came from, underpinned all the time by sound academic understanding. Those reading the print version can marvel at the extraordinary black-and-white wood cuttings that break up the chapters, while those enjoying the audiobook version can listen to music inspired by the same tales.